Stargate Of The Gods

Stargate

(artificial or natural subspace Wormhole)

is a portal device that allows practical, rapid travel between dimensions or two distant locations in the Universe.

It is a fact that virtually all of the great myths sail in ships, though as yet no one has yet offered a theory about the many strange features of these celestial vehicles that have constantly been portrayed as snakes moving through the celestial seas or as a ship that turns into a bearded snake-man once it lands on Earth.

Solving this dark question may be more vital than we think. The Mayans tell us that in 2012 a 'snake rope' will emerge from the center of our galaxy, the Milky Way from which a bearded god of enlightenment will emerge.

John Major Jenkins has proposed, and I agree with him, that the archaic term 'snake rope' is interchangeable with the modern scientific term 'wormhole' or 'stargate', meaning a tunnel linking two regions of space. for more on the stargates of the gods read Oracle of the Illuminati . One of the main reasons presented by detractors who say it is impossible contact with an extraterrestrial civilization are the immense distances separating the Earth from the nearest habitable planet.

Dr. Carl Sagan was one of these detractors. If there are a million technical civilizations in the Milky Way galaxy, he estimated, the average distance between civilizations will be approximately 300 light-years. Since a light year is the distance light travels (just under six trillion miles), this implies that the one-way transit time for interstellar communication from the nearest civilization would be about 300 years. In his novel " Contact

"About the first contact with an extraterrestrial civilization Sagan proposed the stargate or wormhole as a scientifically valid way of a hypothetical, 'arbitrarily advanced civilization' than traveling to Earth.

Dr. Paul Davies , writing in the "Scientific American," notes that here are two possible types of wormholes; the naturally occurring ones that are consequences of the Big Bang and sub atomic wormholes that are left open with particle accelerators.

Based on a comparison of myths and art portraits of the ancient gods, I have proposed that the known gods of antiquity employed wormholes . I have also theorized that a study of ancient words and portraits could provide useful insights in the construction of future stargates.

In this article I intend to show that the 'serpent rope' or 'nave' of the illuminated Mayans shares the same symbolism with the Ship of the Gods of other cultures, in particular the Sumerian and the Egyptian. In this regard, I appreciate the work of David Talbott who authoritatively assembled and compared the symbolism of the ship-serpent.

The Mayan prophecy says that a staircase will emerge from the center of our galaxy,

the milky way in 2012. From this staircase the serpent rope will emerge carrying the god Nine Wind ('Quetzalcoatl').

From the Codex Vindobonensis
 

The symbol for the snake rope source matches

with the Babylonian symbol for the Sun and the logo for the Holy Grail

found on William St. Clair's tombstone in Rosslyn Chapel, Scotland.

Each of these is the same as the Buddhist Wheel of Dharma of Time.

Zecharia Sitchin assigns the symbol to Nibiru from Sumerian mythology. René Guenon, French mystic says that it is theFlaming Swordat the door to Eden. Between the pages of these two scholars we can find amazing visions.

"Nibiru" (more technically and appropriately transcribed as "neberu") can mean several things and speaks volumes on the Mayan serpent rope (and 'the flaming sword' at the gate of Eden).

For the Sumerians Nibiru was a creator of life who they called NAM.TIL.LA.KU, "the god who sustains life." Nam.Tilla.Ku literally meansNameorDestiny (NAM) of God or The Resplendent (KU) is Tula (TILLA). He was the "creator of grain and herbs that causes vegetation to grow ... who opened the wells, providing the waters of plenty" - "the irrigator of Heaven and Earth.

"Nibiru was the A.SAR.U.LU.DU which means" high, luminous watery king whose deep is abundant. " His paintings show him as a ray emitted by the body, says Sitchin .

The publishers of the Chicago Assyrian Dictionary (CAD) have located and compiled all the places where the word "nibiru" appears and related forms on the existing tablets. A glance at the CAD entry (volume “N-2”, pp. 145-147) immediately tells us that the word has a variety of meanings, all related to the idea of ​​“crossing” or being some kind of “marker for cross ”or“ crossing point. ”

The cross is the symbol of the supreme god Anunnaki, Anu , and AnnuIt is the Egyptian place of crossing and the equinox; also from Anit (Neith, Isis, Issa, Mary), who brings the boy forward to the crossing.

The "root idea" of the nibiru group of words and their forms almost always means something like "crossing" or "the door."

"Let Nibiru be the keeper of the place of the cross between heaven and earth," says one text.

In the Gilgamesh epic , for example, we read the line (repeated later by Jesus in the Beatitudes of the Sermon on the Mount ):

"Precise is the crossing point ( nibiru ; an entrance), and narrow is the path that leads to it."

"The boat, the transport"; "The means of transportation"; "(The act of) transporting" are also definitions of Nibiru . This is the same definition of Makara .

When the accumulated meanings of Nibiru are classified, we can interpret this word as referring to a "star, gate, crossing point."

Nibiru is the Bridge Planet , connecting the material, the mortal side of humanity with our highest spiritual immortal nature. Across this bridge is the wonderful Garden of Eden , the hundreds of billions of galaxies, similar to ours, that comprises the known universe.

The Sumerians and Babylonians celebrated the serpent ship as the vehicle of the EA . (the Greek Kronos / Saturn ). The priests of Lagash knew him as Ningirsu , owner of "the beloved ship," a celestial vehicle "that rises from the deepest dock."

In fact the EAs' ship, called the Magur-ship and esteemed as "the Great Ship of Heaven," is one of the images most frequently portrayed in Mesopotamian art.

So closely is EA [ Enki ] connected with this sky serpent ship that it is even portrayed as a serpent ship.

EA sails on the serpent ship "from the antelope of Apsu (the cosmic ocean)."

And it is returned in it, in the painting below.

The Sun-god, identified by his saw and the rays that emanate from his shoulders,

It is often portrayed on Akkadian seals being transported on his ship.

At the bow of the ship in this seal, Tell Asmar ends in the figure

of a bearded god or demon holding a forked oar pole.

The bearded snake is EA

Oriental Museum, Chicago.
 

Compare the Akkadian image of the snake ship with the Egyptian image from the Book of the Dead .

Both portray the snake ship sailing on another snake.

A ship made up of a double-headed snake sailing on the torso of a second snake.

Egyptian sources similarly identify this as the cosmic serpent.

crossing the watery "path" crossed by the boat.

The Egyptian Book of the Dead, for example,

describes the ship sailing on top of the "torso" of the snake-dragon Apepi.
 

In the details of two illustrations from the Book of the Dead we see that the serpent ship (wormhole ''), in the form of a double serpent, rests on the world mountain or Pristine Hill, presented in the first instance as a pillar or support, and secondly as a water column.

Characterized in this ship is the Stairway to Heaven  , the mythological flight of steps  . The connection between the ship and the Staircase is the Egyptian khet word meaning "steps" and also "ship's mast."

The ship's mast is the Stairway to Heaven , because the ship itself is the conduit between Earth and Heaven.

Evidence from the pictograph is supplemented by texts showing that the theme is a spinning ship, while crossing a circle around the cusp of the cosmic pillar or mountain of the world (i.e. the mountain serves as the axis of the ship's revolution) :

In the Egyptian myth of the heron crossing the waters of life in the Boat or the Ark of Millions of Years . In the painting shown here, the heron looks over this Ark - the two-headed serpent-ship - with its Stairway to Heaven .

Two herons look over the Ark with steps perched on a pillar.

The four 'winds' of Horus sit below them.

As we can see, the Sumerian, Egyptian and Mayan symbolism portray the same concept. The serpent ship of the gods transforms into a bearded serpent man on earth.